Die Herkunft des Vlieses lässt Grillparzer in seiner Trilogie absichtsvoll im Dunklen. Ein Herold aus Iolkos kommt an den Hof Kreons und erzählt ihm von den Greueltaten Jasons und Medeas und erteilt ihm den Befehl, die beiden vom Königshof zu vertreiben. Band 1, München [1960–1965], S. 911-929.: 2. "Du kennst ihn nicht, ich aber kenn ihn ganz. [5], After 1840, when his only comedy was rejected by the public, he almost passed from the memory of his contemporaries. Outside Austria, the modern American reader is perhaps most familiar with Grillparzer via disparaging references to him in the popular. Treuer Diener seines Herrn When Grillparzer began to write, the German stage was dominated by the wild plays of Zacharias Werner, Adolf Müllner, and other authors of so-called "fate-tragedies." Franz Grillparzer Inhalt: Der Gastfreund Die Argonauten Medea. He is honoured in Austria with a pastry, the Grillparzer Torte. [5] Because Ottokar is defeated, critics argue that this play represents another work in which Grillparzer preaches the futility of endeavour and the vanity of worldly greatness. Denn Medea ist vieles: Königstochter und Barbarin, Mitleidige und Hexe, Liebende und Kindsmörderin. Aietes erhielt das wertvolle Goldene Vlies, hängte es im heiligen Hain des Gottes Ares auf und ließ es von einem riesigen Drachen bewachen, der niemals schlief. Similar to Goethe's Torquato Tasso, Grillparzer dramatized the tragedy of poetic genius, showing how a poet must renounce earthly happiness to fulfill a higher mission. burg. [5] It reveals an instinct for dramatic as opposed to merely theatrical effect, which distinguishes it from other fate-dramas of the day. Due to the identity-creating use of his works, especially after World War II, he was named as the national poet of Austria.[3]. Und natürlich ist 1848. Und alles andere nichts als Stoff zu Taten. In 1838 Grillparzer produced his only comedy, Woe to him who lies (German: Weh dem, der lügt). Der goldene Schnitt; Die Argonauten; Grillparzer, Franz; Das goldene Vlies; Gold; Grillparzer, Franz: Medea; Der Drache; Schiller, Friedrich - Die Räuber (Personenprofil Maximilian von Moor) Mongolische Eroberer: Die Goldene Horde; Kernkraftwerk (kurzes Handout für einen Vortrag) Grillparzer, Franz: Das goldene Fließ; Das Meerschweinchen; Wales Together with Hebbel, he rates as the most influential dramatist of the mid-nineteenth century. Dort trifft Jason seine Jugendgeliebte Kreusa, die Tochter Kreons, wieder, welche die Kinder Jasons sehr herzlich aufnimmt, worauf Medea in Zorn entbrennt. ... Medea Stimmen Zusammenfassung - Duration: ... Franz Grillparzer - Das goldene Vlies - Duration: 5:13. It appealed strongly to the patriotic sympathies of the Viennese, because it depicted one of the proudest periods of Austrian history,[5] the founding of the House of Habsburg. Franz Seraphicus Grillparzer (Viena, 15 de janeiro de 1791 - Viena, 21 de janeiro de 1872), foi um escritor austríaco. [4] Liberal critics accused Grillparzer of promoting servility. [4] There is delicate art in the delineation of the mingled fascination and repulsion which Medea and Jason feel for each other, and when at last repulsion becomes the dominant force, Grillparzer gives splendid utterance to Medea's rage. Medea, a tragedy of classic proportions, contains the culminating events of the story of Medea, which had been so often dramatized before. Fortunately for him, his admirer Heinrich Laube became artistic director of Vienna's court theater in 1849. In den folgenden Versen schildert Medea ihrer Nebenbuhlerin Kreusa Iason als einen egoistischen Tatenmenschen und rücksichtslosen Individualisten, der sich zum Maß aller Dinge macht und sich über Grenzen hinwegsetzt. Melusina He never married. Akt [4], A second historical tragedy, A faithful Servant of his Lord (Ein treuer Diener seines Herrn [de]), 1826, performed 1828), attempted to illustrate a more heroic theme; but the subject of the superhuman self-effacement of Bancbanus before his lord Duke Otto of Meran proved too uncompromising an illustration of Kant's categorical imperative of duty to be palatable in the theatre. Its success led to the poet being classed for the best part of his life with playwrights like Müllner and Christoph Ernst von Houwald. Some have suggested that this is a reflection of their multi-ethnic Austrian state. Aus gut 20 Metern Höhe springt er mit dem Vlies von der Eiche, da der Drache bereits erwacht. Des Meeres und der Liebe Wellen (Les Vagues de la mer et de l'amour), 1831 IASON und das goldene Vlies - eine Billigverfilmung ath. Then came the Revolution which struck off the intellectual fetters under which Grillparzer and his contemporaries had groaned in Austria, but the liberation came too late for him. Das Goldene Vlies ist – ähnlich wie das Nibelungengold oder der Gral des Mittelalters – ein Symbol: ein goldenes Widderfell, das in der Antike für Macht, Reichtum, gottgegebenes Herrschaftscharisma steht. will er ein Weib, so holt er eine sich, Spielfilm, 1961. "Das goldene Vlies", Grillparzers umfangreichstes Werk, bildet zusammen mit dem Vorspiel "Der Gastfreund" und der Ehetragödie "Medea" eine Trilogie. Franz's father wished him to become a lawyer, and he entered the University of Vienna in 1807 as a student of jurisprudence. The Austrian Post issued four occasions (1931, 1947, 1972 and 1991) special stamps with portraits of the writer. Comic von Carl Barks, 1955; Tim und Struppi und das Geheimnis um das goldene Vlies. [5] It is a gruesome fate-tragedy in the trochaic measure of the Spanish drama, already made popular by Müllner's Schuld. Its general character is similar to that of Werner's dramas; it only differs from them in containing individual passages of much force and beauty. As a prose writer, he has left one powerful short story, Der arme Spielmann (1848), and a volume of critical studies on the Spanish drama, which shows how completely he had succeeded in identifying himself with the Spanish point of view. The aspirations of Rustan, an ambitious young peasant, are reflected in the hero's dream, which takes up nearly three acts of the play. Jason, der griechische Königssohn Jasons Geschichte beginnt in Griechenland, als Jasons Vater Aison, der König von Iolkos , von seinem Bruder Pelias vertrieben wird. Feldmaschall Radetzky [4] It cannot be said that the materials of the play are welded into a compact whole, but the characters are vigorously conceived, and there is a fine dramatic contrast between the brilliant, restless, and unscrupulous Ottokar and the calm, upright, and ultimately triumphant Rudolph. Although Grillparzer was essentially a dramatist, his lyric poetry is in the intensity of its personal note hardly inferior to Lenau's; and the bitterness of his later years found vent in biting and stinging epigrams that spared few of his greater contemporaries. In dieser Zeit entstanden die kleine Gedichtsammlung „Tristia ex Ponto“ und nach der „Ahnfrau“ die Dramen „Sappho“ (1817), „Das goldene Vlies“ (1818/19), „König Ottokars Glück und Ende“ (1823), „Ein treuer Diener seines Herrn“ (1826), „Des Meeres und der Liebe Wellen“ (1829) und „Der Traum ein … The trilogy opens with a one-act prelude, Der Gastfreund, then depicts, in The Argonauts (Die Argonauten) Jason's adventures in his quest for the Fleece. Grillparzer on old Austrian 100 Schilling note (1947). In Franz Grillparzer. Grillparzer followed this gothic drama with Sappho (1818), a drama of a very different type. Laube staged productions of Grillparzer's forgotten works, and their success was immediate and profound. On his eightieth birthday, all classes from the court downwards united to do him honour; never, probably, did Vienna exert herself so much to prove her respect for a private citizen.[5]. [5], It is characteristic of him that he expresses extreme dislike of Hegel's philosophy on the ground that its terms are unintelligible. He devoted especial attention to the Spanish drama, and many of his works show the influence of Pedro Calderón de la Barca. [4], To these troubles were added personal worries. Ultimately Rustan awakens from his nightmare to realize the truth of Grillparzer's own pessimistic belief that all earthly ambitions and aspirations are vanity; the only true happiness is contentment with one's lot and inner peace. Sie betäubt den Drachen und Jason klettert auf die Eiche, in der das Vlies hängt. Committed to the classical ideals of aesthetic beauty and morality, his plots shy away from the realism which developed during his time, preferring instead to use the theater to address spiritual values, which in the words of the dying queen of his Libussa, would only come after the period of Materialism had passed. Jänner 2004. In 1821, Grillparzer completed his The Golden Fleece [de] trilogy, a project that had been interrupted in 1819 when his depressed mother committed suicide, and by Grillparzer's subsequent visit to Italy. 1831 Er tut nur Recht, doch Recht ist, was er will." Franz Grillparzer To his own surprise, Grillparzer became the most popular author of the day; he was ranked with Goethe and Schiller, and lauded as the national poet of Austria. Band 1, München [1960–1965], S. 962-968.: 5. One important characteristic of the age is that aesthetic beauty and virtue are seen as inter-related. Buch: Hergé Il s'agit de l'œuvre la plus riche et variée de Grillparzer, inspirée des Argonautes antiques d'Apollonios de Rhodes et de Médée d'Euripide La première représentation eut … Die Herkunft des Vlieses lässt Grillparzer in seiner Trilogie absichtsvoll im Dunklen. Kolchis. Uraufführung 6.3.1838 Februar 2017. Dramatisches Gedicht von Franz Grillparzer, 1819; Das goldene Vlies. Franz Grillparzer, (born Jan. 15, 1791, Vienna [Austria]—died Jan. 21, 1872, Vienna), Austrian dramatist who wrote tragedies that were belatedly recognized as the greatest works of the Austrian stage.. Grillparzer’s father was a lawyer who died in debt in 1809; his markedly neurotic mother committed suicide 10 years later. Weh dem, der lügt Honours were heaped upon him; he was made a member of the Academy of Sciences; Heinrich Laube, as director of the Burgtheater, reinstated his plays into the repertory; in 1861, he was elected to the Austrian Herrenhaus; his eightieth birthday was a national festival, and when he died in Vienna, on 21 January 1872, the mourning of the Austrian people was universal. Libussa [4] The work again is formed on classic models, but in this instance his feeling is so distinctly modern that it does not find adequate expression in Grillparzer's carefully measured verse. Das goldene Vlies (ursprüngliche Schreibweise: Das goldene Vließ) Die vom Hof verwiesene Medea beauftragt die Amme, Kreusa ein Gefäß mit entflammbarem Inhalt zu bringen, um ihre Nebenbuhlerin zu beseitigen. FRANZ GRILLPARZER Dramatisches Gedicht in drei Teilen Die Zauberin Medea ist die Tochter von Aietes, König von Kolchis, der den Griechen als Barbar gilt. Franz Grillparzer Inhalt: Der Gastfreund Die Argonauten Medea. Bruderzwist in Habsburg 1817 With an almost modern realism Grillparzer reproduced the medieval era, at the same time not losing sight of the needs of the theatre. Von 1821 an, als im Wiener Hofburgtheater die Trilogie Das Goldene Vlies (Wien 1819) mit Erfolg aufgeführt wurde, deren letzter Teil, die Tragödie Medea, rasch über alle deutschen Bühnen ging und durch die Heroinenrolle des Titels sich auf den Brettern behauptete, zählte Grillparzer etwa ein Jahrzehnt lang zu den begünstigten Dramatikern. Jason überlebt den Sprung und flüchtet mit Medea auf das … "Das goldene Vließ" von Franz Grillparzer - die AZ-Kritik Medea ist nicht willkommen: Anne Lenk adaptiert Grillparzers „Das Goldene Vlies“ fürs Flüchtlings-Heute im Residenztheater 07. The end is bitter disillusionment; the only consolation renunciation. Voll Selbstheit, nichts des Nutzens, nichts des Sinns, Goldenes Vlies. In the winter of 1820/1821, Grillparzer had met and fallen in love with Katharina Fröhlich (1801–1879), but whether owing to a presentiment of mutual incompatibility, or merely owing to Grillparzer's conviction that life had no happiness in store for him, he shrank from marriage. For the opera by Walter Braunfels, see, This article incorporates text from a publication now in the, Learn how and when to remove this template message, "Franz Grillparzer A Century of Criticism", "Franz Grillparzer - one of the most contradictory poet personalities in Austria", Literary Encyclopedia: Grillparzer, Franz, Hans Jakob Christoffel von Grimmelshausen, Anthony Ulrich, Duke of Brunswick-Wolfenbüttel, https://en.wikipedia.org/w/index.php?title=Franz_Grillparzer&oldid=986472869, 19th-century Austrian dramatists and playwrights, Members of the Bavarian Maximilian Order for Science and Art, Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, Wikipedia articles incorporating text from the 1911 Encyclopædia Britannica, Articles with unsourced statements from July 2020, Articles needing additional references from March 2017, All articles needing additional references, Articles incorporating a citation from the 1913 Catholic Encyclopedia with Wikisource reference, Wikipedia articles incorporating a citation from the Encyclopedia Americana with a Wikisource reference, Wikipedia articles incorporating a citation from the New International Encyclopedia, Articles with German-language sources (de), Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. „Das goldene Vließ“ im Burgtheater Premiere 23. In deren Hand das Vlies. In the tenth of the German language film series, After his death, a monument was erected in the. 136/D. [4], With the exception of a beautiful fragment, Esther (1861), Grillparzer published no more dramatic poetry after the fiasco of Weh dem, der lügt, but at his death three completed tragedies were found among his papers. Das goldene Vlies, ou La Toison d'or en français, est un drame en trois parties de Franz Grillparzer de l'année 1819. Das Goldene Vliess Franz Grillparzer A dramatic poem in three parts: Der Gastfreund Die Argonauten Medea Grillparzer’s drama was written as a play to be produced on stage. Der goldene Schnitt; Die Argonauten; Grillparzer, Franz; Das goldene Vlies; Gold; Grillparzer, Franz: Medea; Der Drache; Schiller, Friedrich - Die Räuber (Personenprofil Maximilian von Moor) Mongolische Eroberer: Die Goldene Horde; Kernkraftwerk (kurzes Handout für einen Vortrag) Grillparzer, Franz: Das goldene Fließ; Das Meerschweinchen; Wales Ob Medea in ihnen als abschreckendes Beispiel der rachsüchtigen, unbeherrschten „Wilden“ oder als gedemütigte Mutter erscheint, immer liegt das Hauptaugenmerk auf dem unauslöschlich mit ihrem Namen verbundenen Mord an ihren Kindern. [4], From early youth, Grillparzer displayed a strong literary impulse. Nur er ist da, er in der weiten Welt It was inspired by the classic Greek epic poem “Argonautica” well known, from Homer to Pindar, and written by Apollonius of Rhodes in the 3rd century BC. He also produced the dramatic fragments Spartacus and Alfred der Grosse (1809).[4]. Die Ahnfrau fragt Jason einmal, und das ist noch untertrieben. 1848 Among his posthumous writings are many fragments of literary, philosophic, and political criticism, all of them indicating a strong and independent spirit, not invariably just, but distinct, penetrating, and suggestive. Da zuckt Wahnsinns Grinsen durch seine Züge, Heulend faßt er die Bande seiner Adern, Sie brechen, in Güssen strömt hin sein Blut Und als ich um mich schaue, entsetzt, erstarrt, Liegt der König zu meinen Füßen 942. Kreon erklärt sich zwar bereit, Jason und den beiden Kindern Zuflucht zu gewähren, will aber Medea Kreusa zuliebe wieder fortschicken. From 1807 to 1809, Grillparzer wrote a long tragedy in iambics, Blanca von Castilien, modeled on Schiller's Don Carlos. Im Ehedrama "Medea" kommt der Argonautenführer Jason als Schutzflehender und Verbannter mit seiner Gattin Medea, den beiden Kindern und deren Amme auf der Flucht nach Korinth an den Hof König Kreons und bittet ihn um gastliche Aufnahme. [5], With these historical tragedies began the darkest decade of Grillparzer's life. Grillparzer's brooding, unbalanced temperament, his lack of will-power, his pessimistic renunciation and the bitterness which his self-imposed martyrdom produced in him, made him peculiarly adapted to express the mood of Austria in the epoch of intellectual thraldom that lay between the Napoleonic wars and the Revolution of 1848. On the other hand, he gives evidence of careful and sympathetic study of Immanuel Kant. He was buried with an amount of ceremony that surpassed even the pomp displayed at Klopstock's funeral. Die antiken Vorlagen dafür stellen das Argonautenepos des Apollonios Rhodios und die Medea des Euripides. Franz Grillparzer was born in Vienna, Austria.His father, the advocate E. J. Grillparzer, was a severe pedant and a staunch upholder of the liberal traditions of the reign of Joseph II.E. Grillparzers sämtliche Werke. [4] Similarly to Sappho but on a larger scale, this trilogy is a tragedy of the heart's desire, the conflict of the simple happy life with that sinister power, be it genius or ambition, which upsets the equilibrium of life. [citation needed], Monument in the Volksgarten, Vienna, Austria. Der Gastfreund Franz Grillparzer Trauerspiel in einem Aufzug Personen: Aietes, König von Kolchis Medea, seine Tochter Gora, Medeens Amme Peritta, eine ihrer Jungfrauen Phryxus Jungfrauen Medeens Griechen in Phryxus' Gefolge Kolcher. In diesem Sinn verwendeten auch die Alchemisten das Symbol des Goldenen Vlieses. "Wer bist du, doppeldeutiges Geschöpf?" Das Goldene Vlies (La Toison d'or), 1819-1822, trilogie comprenant Der Gastfreund (L'Hôte), Die Argonauten (Les Argonautes) et Medea (Médée) Mélusina, (1822-1823), a été mis en musique par Conradin Kreutzer, «Opéra magique romantique» en 3 actes. Als Jason das goldene Vlies verlangt, stellt ihm Aietes zwei Aufgaben: erst muss Jason, zwei feuerschnaubende Stiere mit ehernen Hufen vor einen Pflug spannen und mit ihnen den Acker pflügen, anschließend soll er in die Furchen Drachenzähne säen und gegen die daraus entstehenden, eisengepanzerten Männer kämpfen. Hence before writing a play he worked hard, striving to comprehend the spirit of the age he wished to represent. In 1853, he wrote an autobiography of his life and times from birth to 1836. In Linz and in St. Pölten, elementary schools are named after him. Autor:Grillparzer, Franz. Das goldene Vlies While most of his best plays originate in the age of Romanticism, his works could not be classified as Romantic. König Ottokars Glück und Ende Grillparzer had little capacity for an official career and regarded his position merely as a means of independence. Grillparzer, Franz. This was a severe blow to the poet, who turned his back forever on the German theatre. Considerato il più grande scrittore della letteratura austriaca, il centro della sua opera è l'analisi delle condizioni dell'agire umano, o più esattamente della difficoltà di tuffarsi nel flusso dell'azione individuale e storica (sintomatica è la novella Der arme Spielmann, 1848). Das goldene Vließ. Franz Grillparzer was born in Vienna, Austria. Im ersten Teil des goldenen Vlieses, dem "Gastfreund", kommt der Grieche Phryxos auf Befehl Apollons mit dem goldenen … The asteroid 30933 was named Grillparzer in his honor. Das goldene Vlies, Blanka von Kastilien Grillparzer wird Hofdichter des Habsburger Kaiserhauses, mag allerdings die Karriere als Beamter nicht aufgeben und bleibt daher zeitlebens zwischen den Anforderungen des Staatsdiensts und denen der Dichtkunst hin- … Médée. All das enthält Franz Grillparzers Tragödie "Medea", der letzte und meistgespielte Teil seiner Trilogie "Das Goldene Vließ" von anno 1821. Der Gegensatz von Griechen und Barbaren, von humaner Kultur und wilder Natur wird in der "Medea" deutlich herausgearbeitet. Jahrhundert des Florentiner Palazzo Pitti einen Bezug zwischen dem Goldenen Vlies und dem Lamm Gottes her. 1848 - Erstaufführung 1874 Literatur im Volltext: Franz Grillparzer: Sämtliche Werke. But Woe to him who lies, in spite of its humour of situation, its sparkling dialogue and its original premise — a hero who wins by invariably telling the truth, where his enemies invariably expect him to lie – was too strange to meet with approval in its day. Der Fluch des Phryxos lastet nun schwer auf Aietes, dem Vater Medeas. After obtaining his degree from the university in 1811, Franz became a private tutor for a noble family; then in 1813, he entered the civil service as a clerk at the Imperial and Royal Hofkammer (Exchequer) in Austria. This drama, with Medea’s assertion that life is not worth living, is the most pessimistic of his works and offers humanity … Das goldene Vlies, König Ottokars Glück und Ende, Des Meeres und der Liebe Wellen, Weh dem, der lügt, Ein Bruderzwist im Hause Habsburg Franz Seraphicus Grillparzer (15 January 1791 – 21 January 1872) was an Austrian writer who is chiefly known for his dramas . [4] The ghost of a lady who was killed by her husband for infidelity is doomed to walk the earth until her family line dies out, and this happens in the play amid scenes of violence and horror. "Der Traum ein Leben" redirects here. Two years later his father died, leaving the family in difficult circumstances. „Medea“ ist das Kernstück der zwischen 1818 und 1821 entstandenen Trilogie „Das Goldene Vlies“ - ein dramatisches Gedicht, das als großes Liebesund Überlebensdrama entstanden ist, ein Theatertext von sprachlich seltener Schönheit, dessen Aktualität bis heute ungebrochen ist. Im ersten Teil des goldenen Vlieses, dem "Gastfreund", kommt der Grieche Phryxos auf Befehl Apollons mit dem goldenen Widderfell nach Kolchis zu König Aietes, der ihn ermorden lässt, womit er eine Verletzung des Gastrechts begeht. Oper von Luigi Cherubini, 1797; Das goldene Vlies. [5] He was originally buried in the Währinger Cemetery in Vienna, now known as Schubertpark. [5] Grillparzer's conceptions are not so clearly defined as Goethe's, nor is his diction so varied and harmonious; but the play has the stamp of genius, and ranks as one of the best works that attempt to combine the passion and sentiment of modern life with the simplicity and grace of ancient masterpieces.[5]. In these plays he deals with classical themes as well as subject matter. E. J. Grillparzee was an unsuccessful lawyer whose fortunes were ruined by Napoleon's invasion. Der Traum, ein Leben 1825 Literatur im Volltext: Franz Grillparzer: Sämtliche Werke. Waves of the Sea and of Love dramatizes the story of Hero and Leander, as a poetic love-tragedy with an insight into character motivation that predates the psychological dramas of Ibsen. "Das goldene Vlies", Grillparzers umfangreichstes Werk, bildet zusammen mit dem Vorspiel "Der Gastfreund" und der Ehetragödie "Medea" eine Trilogie. In ihrer inneren Zerrissenheit ermordet sie auch ihre beiden Kinder. Entstehung über viele Jahre [4] In 1817, the first performances of The Ancestress made Grillparzer famous. É conhecido principalmente pela sua obra dramática.. Biografia. In 1826, he paid a visit to Goethe in Saxe-Weimar, and was able to compare the enlightened conditions of Weimar with the censorship of Vienna. [5] The poetic influence of Lope de Vega and Pedro Calderón de la Barca is also evident. Von 1821 an, als im Wiener Hofburgtheater die Trilogie Das Goldene Vlies (Wien 1819) mit Erfolg aufgeführt wurde, deren letzter Teil, die Tragödie Medea, rasch über alle deutschen Bühnen ging und durch die Heroinenrolle des Titels sich auf den Brettern behauptete, zählte Grillparzer etwa ein Jahrzehnt lang zu den begünstigten Dramatikern. 1834 All das enthält Franz Grillparzers Tragödie "Medea", der letzte und meistgespielte Teil seiner Trilogie "Das Goldene Vließ" von anno 1821. …trilogy Das Goldene Vlies (1821; The Golden Fleece) was interrupted by the suicide of Grillparzer’s mother and by illness. However, the play ends on an upbeat note. It was the first of Grillparzer's dramas that did not end tragically. 1818 Das goldene Vließ. Die antiken Vorlagen dafür stellen das Argonautenepos des Apollonios Rhodios und die Medea des Euripides. Medea fühlt sich in Griechenland von den Menschen, deren Sitten sie nicht kennt, als Barbarin verstoßen. Stichwort:Grillparzer, Franz. Literatur im Volltext: Franz Grillparzer: Sämtliche Werke. Band 1, München [1960–1965], S. 911-929.: 2. Das Goldene Vlies ist – ähnlich wie das Nibelungengold oder der Gral des Mittelalters – ein Symbol: ein goldenes Widderfell, das in der Antike für Macht, Reichtum, gottgegebenes Herrschaftscharisma steht. Das Vlies hielt ich mir vor als Schild. Ich erbebte und schrie auf Zu den Göttern, die ich kenne. Gemeinsam mit Jason bricht sie auf, um das goldene Vlies zu holen. Ottkar, the thirteenth century Bohemian King, wants to subjugate his neighbors, a thinly veiled reference to the recently defeated Napoleon.

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